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Bananza is also an extension of Nintendo’s universe, including the Super Mario Movie, which has a Donkey Kong that looks like this one, and Super Nintendo World, which has a Donkey Kong land, too. And yes, Super Nintendo World’s Donkey Kong Power-Up bands even work like Amiibo with this game. I’m happy to say that Donkey Kong Bananza is here to whisk you off to multilevel worlds of satisfyingly smashing madness, to cheer you up and give you an excuse to punch the heck out of things. It’s a game my 12-year-old son has loved playing along with me, although I’ve had to find ways to wrestle the game back to play for myself. While there’s a lot to love about Sifu developer Sloclap’s new multiplayer soccer game Rematch, it scores a few own goals.

These side-challenges don’t just stand out on the merits of nostalgia; they have such a defined tone and identity, whereas the rest of Shadow Labyrinth feels like it’s the product of thorough notetaking. Colors and shapes dance to club beats in the digital abyss. It doesn’t matter who the ghosts are or why they want to kill our round hero so badly. I just feel the urgency in my bones as I duck and dodge a swarm of angry specters. 45 years later, there’s still a power in those minimal chase sequences that giant games can’t dream of emulating. Shadow Labyrinth sometimes feels like it’s trying a little too hard to fit in with today’s scene.

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There are tons of different material types that make up the world, and there are set rules to how they all interact with each other. There was some pre-launch concern that the world’s malleable nature might leave each layer feeling like a palette swap of one big underground region, but fortunately, that’s not the case. Every world has something unique to offer both visually and mechanically, from the Freezer Layer’s icicles you have to knock down to create platforms, to the Resort Layer’s tropical vibes and Liftoff Ore that sends DK soaring into the sky when you grab a chunk of it. Bananza is no mere “side project” from the team behind Super Mario Odyssey – it’s a brilliant successor to that masterpiece, a tremendous reinvention for one of Nintendo’s original mascots, and a groundbreaking adventure in every sense of the word. Combat is more so the focus over platforming, and it feels more satisfying because there are a lot of layers to it. Biomes are filled with fierce bosses (including lots of optional foes) that put up a serious challenge.

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They’re energetic jolts of arcade action that feel entirely separate from the brooding action game they’re nestled into. Bananza is made by the Super Mario Odyssey team, and its 3D platforming feels like a Mario sequel. You can wander through large but still self-contained sublevels that remind me of the Kingdoms in Super Mario Odyssey.

We pick up with Player 456 and the gang in the immediate aftermath of the ill-fated season 2 rebellion. The revolt wiped out the majority of the X voters, leaving Team O virtually unopposed. It also left Seong Gi-hun more traumatized than ever, overflowing with guilt and self-loathing.

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Fossils are used to buy region-specific outfits that add different perks to DK and Pauline – like increasing your chances of finding a treasure chest – and it’s also just fun to give them both a fresh look. You’ll also collect mountains of gold, and while I was swimming in cash for the first several hours, I eventually had to pay for some optional content that ran my wallet dry. Trust me when I say collecting as much gold as you can will be worth it in the end. Each team’s handcrafted playbooks lean into the concept of real-life tendencies. I’ve only used three teams so far, but I can see the difference in playbooks. While I see the larger playbooks, I’ll say this is one of the features that was a bit oversold.